With a reading range of 3m, a brightness of 250 Nits, an aspect ratio of 16:9 and a contrast ratio of 500:1, this is a great оnе-ѕtор solution fоr fаѕt-расеd, professional video productions. This LCD mоnіtоr comes with a fullу-аdјuѕtаblе hооd, рrоmрtеr mount, BNC and VGA inputs, and broadcast quality рrоmрtеr glass, саblеѕ, and tеlерrоmрt software.
And this 8-incher, designed for smaller DV cameras, DSLRs and camcorders, is a great starter model for new industry entrants. The favorite brand for TV professionals is Autocue, who can boast more than 50 years of experience serving global broadcasters’ needs. If you’re working in broadcast, then the other teleprompters on this list will be a little amateurish for your needs. In short, this offers everything a YouTuber needs to read from an autocue, and while it’s not the cheapest on our list, it offers excellent value. It can be easily set up or packed away, too, and comes with a convenient travel bag that offers good protection for the glass. The screen is nice and large, enabling you to read the text from up to 10 feet away, and the beam splitter glass is high quality.
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There’s plenty of room to install all kinds of cameras, even with long lenses, behind the glass, and the tray in front takes devices up to 10.5 x 9.5 inches – which covers most smartphone or tablets, although it’s not large enough for the iPad Pro. The TMP100 very easy to set up, with no need for tools, and lots of mounting options for fixing it your tripod.
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For this reason, we’d recommend it as the best teleprompter for semi-pro or pro content creators – and this is the one we personally use at Digital Camera World.
The Glide Gear TMP100 sits somewhere in the middle, offering high-end build quality and usability without breaking the bank. The best teleprompters come in a range of prices, from cheap ones for casual use, to very expensive ones for broadcast.
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